BMX

New Hard Yards video just went live! This video takes an insane amount of time to cut together but I do enjoy making them. Massive thanks to Troy and Adam for helping film this and Wayne for shooting photos.

I’ve really wanted to deep dive into the more “documentary” side of film making over the past couple of years. One of my first ideas was to document the history of some of the most iconic spots we’ve filmed at over the years. First up is Tempy rail which we found over 20 years ago and has been a place for heavy hitters to visit and add another banger to the list of wild moves that have been done on it.

Massive thanks to Anrei Sablinskis for digging up some gem archive footage for this piece.

The amount of hours that goes into a project like this may never weigh up against the “view count” but in an era of short form content I feel it’s necessary to create more in-depth video projects. Clint Millar’s has a long history of backyard ramps and his current build is only getting bigger as I type this. This video showcases the past 25 years of his ramp progression.

1,300 clips from 3 camera’s all cut up into this 22 minute video piece. The Hard Yards videos are one of the hardest (and most time consuming) video projects I work on but I do love them and each time we put one together we learn more for the next one. Special thanks to Clint from Colony for putting it on along with Troy Charlesworth and Adam Cox for helping film.

It’s crazy to think that Max and I started filming this Colony video back in 2020. We’ve been steadily collecting footage around some of Melbourne’s best spots an I am stoked on how it came out.

Shot on both a Sony a7s and then the Sony a7siii and Rii.

Dean was great to shoot with and his riding is dialed in! Loved shooting this new video for him and Colony. Shot with a Sony a7siii in 4k, check it out…

Honestly this is one of my favourite video’s that I’ve made in recent years. We has a lot of fin with the song choice as it’s an inside joke but also works so good to edit too! Thanks to Pat Fallico for putting in the work in this one. Shot with a Sony a7s3…